“CAN YOU SENSE EVIL IN OTHERS?” and More Terrifying True Tales! #WeirdDarkness

CAN YOU SENSE EVIL IN OTHERS?” and More Terrifying True Tales! #WeirdDarkness

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IN THIS WEEKEND ARCHIVE EPISODE, ORIGINALLY AIRED JANUARY 06, 2020: In January 1966, three children vanished from the seaside suburb of Glenelg, in Adelaide, Australia. Was the sudden disappearance of the Beaumont children murder… misadventure… or something else? (The Disappearance of the Beaumont Children) *** Stories like Sweeny Todd and Soylent Green (warning – spoilers!) include the imagery of humans eating humans. But when it happens in real life, we still somehow find it morbidly fascinating… even entertaining. (The Butcher of Chicago) *** Some people say they can sense good or bad energy when they enter a place or meet other people. Is this scientifically possible? (Sensing Evil In Places and People)

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(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in the show notes immediately.)
The hairdresser story used to begin this episode is from Tess Gerritsen: https://tinyurl.com/yefzjwdu
“Sensing Evil In Places and People” by Cynthia McKanzie for Message to Eagle: https://tinyurl.com/yjdxmmdk and https://tinyurl.com/yjonkvdb
“The Butcher of Chicago” from Chicago Hauntings: https://tinyurl.com/yz7qka7l
“The Disappearance of the Beaumont Children” by Stephen Karadjis for Crime Traveller: https://tinyurl.com/yg7u6zt3
Weird Darkness theme by Alibi Music Library. Background music, varying by episode, provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission.

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