THE BIGFOOT MYSTERY: The Hunt Turns Hunters Into Terrified Witnesses and Leave Grown Men Sobbing
Fascination with Bigfoot disappears fast when you’re standing face-to-face with an 800-pound creature – and the terror never truly fades.
There’s something moving through the wilderness that nobody can quite explain. For most people, Bigfoot lives comfortably in books, television shows, and campfire stories. The massive hairy creature has turned into entertainment, selling everything from beef jerky to tourist tchotchkes in Pacific Northwest gift shops. But talk to someone who claims they’ve encountered one in the wild, and you’ll hear a completely different story. They’ll describe trauma so overwhelming that grown men break down sobbing. Many refuse to ever set foot in the woods again.
How a Logger’s Find Changed Everything
August 27, 1958. Jerry Crew climbed onto his bulldozer at a construction site on Bluff Creek Road in northern California’s Six Rivers National Forest. The morning started like any other – he was preparing to grade another section of the timber access road being carved through virgin stands of Douglas fir. Then he noticed something unusual in the dirt around his machine. Footprints. Enormous ones.
Each print measured almost 16 inches long and seven inches wide, pressed deeply into the graded road surface. Whatever left these tracks was incredibly heavy – you could tell just by looking at how deep the impressions went. Crew’s first thought was bears or mountain lions. Both were common in the area, after all. But when he climbed into his tractor and looked down at the prints from above, he started having second thoughts. These weren’t animal tracks in the traditional sense. They were foot-shaped, with distinct toes visible in the dirt. And they were absolutely massive.
Crew worked for Wallace Construction, a company owned by brothers Ray and Wilbur “Shorty” Wallace. Thirty other men worked alongside him on the Bluff Creek project. When Crew showed Wilbur Wallace the prints, his boss mentioned other strange things that had been happening at the worksite. A 50-gallon oil drum had disappeared, only to be found thrown over a bank into a gulley. The foliage on the other side of the gulley had been broken by something large, which suggested whatever did it had thrown the barrel with considerable force. Even more disturbing, a 700-pound spare tire meant for a road-grading machine had somehow ended up in a ditch.
The workmen started comparing notes. Tools vanished overnight. 100-pound steel cables got dragged uphill and abandoned in random locations. Some of the footprints they’d found around the moved equipment varied in depth, which indicated that whatever left them was actually carrying the heavy objects as it walked. The crew started calling whatever was responsible “Big Foot” – two words at first.
A Newspaper Story That Wouldn’t Die
The story caught the attention of Andrew Genzoli, a columnist for the Humboldt Times in Eureka, California. On September 21, 1958, Genzoli highlighted a letter from a reader about the mysterious footprints in his column. He was joking when he wrote that maybe they had “a relative of the Abominable Snowman of the Himalayas” in northern California. Years later, he’d say he simply thought the mysterious footprints “made a good Sunday morning story.”
Genzoli’s surprise at the response was genuine. Readers ate it up. Along with fellow Humboldt Times journalist Betty Allen, he published follow-up articles about the footprints. Then on October 6, 1958, Genzoli ran a front-page story that shortened the nickname to one word: Bigfoot. He wrote, “Who is making the huge 16-inch tracks in the vicinity of Bluff Creek? Are the tracks a human hoax? Or, are they the actual marks of a huge but harmless wild man, traveling through the wilderness? Can this be some legendary-sized animal?”
The piece got picked up by wire services. It appeared in The New York Times and The Los Angeles Times. Just like that, Bigfoot entered the American lexicon. Within weeks, the TV quiz show “Truth or Consequences” – then hosted by Bob Barker – offered $1,000 to anyone who could explain how the Bluff Creek tracks had been made.
Throughout the fall of 1958, the people of Humboldt County puzzled over the footprints. A logger suggested they’d been left by a “big-footed Swede” because many lumberjacks were of Swedish descent. Others connected them to “Omah,” a giant forest monster from local Hoopa Indian legend. The Hoopa people had stories going back generations about large, hairy creatures in the forest. This connection to Native American lore added a layer of credibility and helped establish the modern image of Bigfoot as we know it today.
Journalist Betty Allen, who covered the story extensively, later said she got the sense that most of the loggers didn’t actually believe in the creature. They seemed to be passing along stories with a “legendary flavor” – more entertainment than genuine concern. Even a county sheriff publicly accused Ray Wallace, Shorty’s brother and co-owner of Wallace Construction, of creating the tracks. Wallace was known throughout Humboldt County as a prankster and yarn-spinner. Some called him a con man, though writer Robert Michael Pyle, who knew Wallace late in life, remembered him more charitably as “a canny, smart man, but a bullshitter.”
The Death That Revealed a Secret
Ray Wallace died on November 26, 2002, at age 84, of heart failure in a Centralia, Washington nursing facility. His family had been sitting on a secret for over four decades. Shortly after Wallace’s death, his son Michael Wallace made an announcement that sent shockwaves through the Bigfoot community.
“Ray L. Wallace was Bigfoot,” Michael told reporters. “The reality is, Bigfoot just died.”
The truth could finally be told, Michael insisted. His father had orchestrated the prank that created Bigfoot in 1958. The family had kept quiet about it for all those years, never publicly admitting the deed until Wallace’s death freed them to speak. When Michael and other family members cleaned out Wallace’s basement, they found a sack containing multiple pairs of hand-carved wooden feet complete with leather buckles that fit over shoes. The biggest feet measured between 16 and 18 inches long and bore an uncanny resemblance to many of the famous plaster footprint casts that had been made over the years.
According to Michael, his father’s friend Rant Mullins – a logger from Toledo, Washington – had carved the feet out of soft alder wood using a jackknife. The story went that Wallace and his brother Wilbur used these carved feet to stomp footprints around the construction site. Michael described how his father would wait for Jerry Crew to shut down the bulldozer and leave for the day. As soon as Crew was gone, Ray would start up the cat, squeeze out a barrel of oil, and throw it over the bank. Then he’d park the cat in its original place, get out, and make the footprints around it using Mullins’s wooden feet.
When Crew came back in the morning and saw those tracks, Michael said, “he just freaked out.” Crew went into the nearby town of Willow Creek to tell everyone what he’d found. Somebody called the newspaper in Eureka. The head reporter came out, took photographs, and wrote up the story. After the Humboldt Times piece appeared, after the Associated Press distributed it nationwide, Michael said his father faced a decision: come clean or let it ride. Wallace chose to let it ride. “The family just sat back and grinned,” Michael recalled. “He didn’t mean to hurt anyone.”
The media ran with the Wallace family’s revelation. Headlines declared Bigfoot dead. Mark Chorvinsky, editor of Strange Magazine and a leading proponent of the theory that Wallace fathered Bigfoot, told reporters that America got its own monster thanks to Ray Wallace. There was no Bigfoot in popular consciousness before 1958, Chorvinsky insisted. The creature was Wallace’s creation, pure and simple.
The Problems With a Neat Story
Experts immediately noticed problems with the Wallace family’s claims. Jeff Meldrum, a professor of anatomy and anthropology at Idaho State University who specializes in foot morphology, examined Wallace’s wooden feet. They didn’t match. The crude wooden stamps bore no resemblance to the plaster casts made of Crew’s footprints or any other Bluff Creek tracks. Meldrum had casts of 40 to 50 footprints that he’d concluded, from their anatomical features, came from authentic unknown primates. “To suggest all these are explained by simple carved feet strapped to boots just doesn’t wash,” he said.
The holotype Bigfoot cast taken of one of the prints found by Crew measured just over 16 inches in length. None of Wallace’s stamps came close to this measurement. Ed Schillinger, the only living witness from the Bluff Creek job site and someone who considered himself almost an adopted son to Ray Wallace, strongly disputed the family’s allegations.
The condition of certain track finds raised additional questions. Some of the footprints found at Bluff Creek varied in depth in ways that indicated whatever made them was carrying heavy objects. Could Ray Wallace, working alone or with his brother, have managed to carry a 700-pound tire or toss a 50-gallon oil drum into a gulley while wearing wooden feet strapped to his boots? The physics seemed unlikely at best.
A longer line of tracks appeared in September 1958 that convinced Crew and the other workers something more was happening than a simple prank. The tracks showed details that Wallace’s crude wooden feet couldn’t have produced. When researcher Bob Titmus came to investigate, he found track evidence that didn’t match the simple hoax explanation.
Cryptozoologist Loren Coleman argued that the international media inappropriately confused Wallace’s obvious hoax films from the 1970s with legitimate earlier evidence. Yes, Wallace later made fake Bigfoot movies by dressing family members in gorilla suits. Yes, he created hair samples from the bison he kept on his wild animal farm near Toledo, strategically leaving them in the woods for researchers to find. Wallace even helped produce a 1971 country album in Nashville called “Bigfoot: Northwest’s Abominable Snowman,” featuring singer Don Jones.
But that doesn’t mean every piece of Bigfoot evidence originated with Wallace. Some researchers believe Wallace’s initial prank in 1958 might have outgrown its creator – that the creature might have somehow sprung to life beyond his simple wooden feet and oil barrel pranks.
What’s known for certain is this: Wallace manufactured some Bigfoot evidence, but not all of it. He was a prolific hoaxer who loved pulling pranks. Dale Lee Wallace, Ray’s nephew, remembered one time in the late 1950s when the Wallace Brothers cleared a flat part of the forest near Weitchpec in Humboldt County to park trailers for their workers. The dusty ground proved too tempting. They made tracks everywhere, just to mess with people.
But then Ray Wallace’s nephew from Arkansas came to visit for a few weeks, and when he went back to Arkansas, Bigfoot showed up there too. The phenomenon spread beyond Wallace’s direct reach. Whether the original 1958 Bluff Creek tracks were his prank or something genuine remains unresolved. What Wallace undeniably created was the name “Bigfoot” and the modern American Bigfoot phenomenon as we know it today.
The Film That Changed Everything
Nine years after Jerry Crew found those massive footprints, on October 20, 1967, two men riding horses through the Six Rivers National Forest captured footage that would become the most analyzed, debated, and iconic piece of Bigfoot evidence in history.
Roger Patterson and Bob Gimlin were searching for Bigfoot along Bluff Creek, about 25 logging-road miles northwest of Orleans, California, in Del Norte County. The site was roughly 38 miles south of Oregon and 18 miles east of the Pacific Ocean. Patterson was an avid Bigfoot researcher who’d been investigating the creature since the late 1950s. He’d visited Bluff Creek multiple times – in 1962 and again in 1964 – when he reported finding footprints.
Patterson was making a documentary about Bigfoot. He’d brought his friend Gimlin along for support and safety. According to their account, they were riding their horses along the creek when the horses were startled by something near the water. Patterson’s horse reared up and he fell from the saddle. Grabbing his 16mm Cine Kodak K-100 camera from his saddlebag, he ran toward the creek bed.
There, walking along the sandy bank in an area informally known as “the bowling alley,” was a large, hairy, bipedal creature. Patterson managed to film 952 frames – approximately 59.5 seconds of footage at 16 frames per second. Some believe the film ran at 18 frames per second, which would make the encounter 53 seconds long. The exact frame rate remained a point of controversy because Patterson said he normally filmed at 24 frames per second, but in his haste to capture the Bigfoot, he didn’t note the camera’s setting.
The figure, often called “Patty” by researchers due to what appeared to be visible breasts, walked calmly along the creek. Its gait was fluid and rolling, unlike typical human movement. Muscle definition rippled beneath the fur with each step. The proportions were unusual – the head height to stature ratio was closer to that of an adult male gorilla than a human. The creature had broad shoulders, no visible neck, and long arms that swung as it walked.
At one point, the creature turned its head and body to look directly at Patterson and Gimlin – frame 352 or 354, depending on which copy of the film you examine – before continuing eastward and disappearing into the forest. The entire encounter lasted less than a minute, but the implications have lasted for more than five decades.
Gimlin, meanwhile, kept his horse steady during the encounter and provided backup in case the creature turned aggressive. He later said he’d been holding his rifle, ready to shoot if the creature attacked. The creature appeared to be a female due to the visible breasts. It walked with measured steps, occasionally glancing back at the two men. Its lack of panic suggested it was accustomed to the environment and not particularly concerned about their presence.
The Immediate Aftermath
Patterson and Gimlin made plaster casts of some footprints at the site. Patterson appeared on broadcast interviews on local stations where his film would be shown during his four-walling tour in 1968. The film generated immediate national publicity. Patterson appeared on popular TV talk shows including the Joe Pyne Show in Los Angeles in 1967, which covered most of the western U.S. He appeared on Merv Griffin’s program, with anthropologist Grover Krantz offering his analysis of the film. He went on Joey Bishop’s talk show and Johnny Carson’s Tonight Show.
Articles about the film appeared in Argosy, National Wildlife Magazine, and Reader’s Digest. One radio interview with Gimlin, conducted by Vancouver-based Jack Webster in November 1967, was partly recorded by researcher John Green and later reprinted in Loren Coleman’s book “Bigfoot!”
Patterson subsequently sold overlapping distribution rights for the film to several parties, which resulted in costly legal entanglements. He made some money from the film, but not the fortune skeptics often claim motivated a hoax.
Roger Patterson died of cancer in 1972 at his home. He maintained right to the end that the creature on the film was real. He was only 38 years old. Gimlin mostly avoided publicly discussing the subject from at least the early 1970s until about 2005, making only three public appearances during those decades. Since 2005, he’s given interviews and appeared at Bigfoot conferences, always insisting on the authenticity of what they filmed.
Bob Gimlin, who still lives today, has always denied being involved in any part of a hoax with Patterson. He’s now in his nineties and his story hasn’t changed in all this time.
The Lost Evidence and Technical Details
The film itself is 23.85 feet long, preceded by 76.15 feet of “horseback” footage showing Patterson and Gimlin riding their horses. The Bigfoot footage contains 954 frames and runs for 59.5 seconds at 16 frames per second.
Several reels of derivative works went missing over the years. A second reel showing Patterson and Gimlin making and displaying plaster casts of the footprints was screened at Al DeAtley’s house shortly after the encounter. According to researcher Chris Murphy, the screening of this second reel at the University of British Columbia on October 26, 1967, was the first and last major screening. It has subsequently been lost. A ten-foot strip from that reel, or from a copy, from which still images were taken, also disappeared.
For decades, the exact location of the film site was lost, primarily because of re-growth of foliage in the streambed after a flood in 1964. The site was rediscovered in 2011. It sits just south of a north-running segment of the creek informally known as “the bowling alley.”
The Scientific Analysis Begins
When frame 352 (sometimes called 353 or 354, depending on the copy) appeared on the cover of Argosy magazine in February 1968, anthropologist Grover Krantz saw it. His initial reaction was skepticism. “It looked to me like someone wearing a gorilla suit,” he said. He gave Sasquatch only a 10 percent chance of being real.
Krantz’s opinion changed after analyzing different evidence. In December 1969, large footprints were found in snow at Bossburg, Washington. The tracks became known as the “Cripplefoot” casts because they showed what appeared to be a deformity – injuries tentatively identified as clubfoot. After constructing biomechanical models by calculating distance, leverage, weight dynamics and distribution, and comparing the data to the track’s heel, ankle and toe base, Krantz concluded the footprints had been left by an animal about 8 feet tall and weighing roughly 800 pounds.
The morphological detail in the Cripplefoot casts, particularly impressions of the thenar eminence muscle, helped convince Krantz. He argued that a hoax “would require someone quite familiar with the anatomy of the human hand to make the connection between a non-opposable thumb and an absence of the thenar eminence.” This led to Krantz’s first publication on the subject, with his article “Sasquatch Handprints” appearing in the journal North American Research Notes in 1971.
After years of studying the Cripplefoot casts, Krantz returned to the Patterson-Gimlin film. He studied it thoroughly, taking notice of the creature’s peculiar gait and purported anatomical features, including flexing leg muscles. He changed his mind completely and became an advocate of its authenticity.
Frame 352 Dissected
Frame 352 – the moment when the creature looks back at Patterson and Gimlin – became the most famous still image from the film. Analysis of this frame has consumed thousands of hours across multiple disciplines.
The creature’s walking height has been calculated at 87.5 inches based on measurements of known objects in frame. The film shows proximity to trees, stumps, and forest debris that help establish scale. A wood fragment visible in the film, which the creature steps upon, has been used to confirm ground level and calculate distances.
In 2021, a forensic analysis used laser scanning technology to map the Patterson-Gimlin site. The scan data was then overlaid with the film footage in a process called perspective matching. The scan data was super accurate and 1:1 in terms of scale, allowing for precise biomechanical and environmental measurements. The analysis determined the creature stood between 6 feet 3 inches and 6 feet 5 inches tall – notably shorter than many witness reports describe, but still larger than the average human male of that era.
The creature’s gait has been analyzed by experts in biomechanics. Its fluid, rolling walk is unlike typical human movement. The stride length and walking speed exceed that of the average human. The head height to stature ratio is essentially beyond human proportions, being closer to that of an adult male gorilla. Although the creature in the Patterson-Gimlin film is believed to be female, it appears to possibly have a sagittal crest due to its size.
The Costume Theory
The most persistent explanation for the Patterson-Gimlin film is that it shows a person in an elaborate costume. Rumors circulated almost immediately that special makeup effects artist John Chambers – who created the groundbreaking ape makeups for the original Planet of the Apes films released in 1968 – made a suit for Patterson. Both Chambers himself and the filmmakers denied this accusation.
In 2002, a man named Bob Heironimus claimed he wore a gorilla suit for the Patterson-Gimlin film. The Skeptical Inquirer published his account. However, multiple problems emerged with Heironimus’s story, including inconsistencies in his timeline and his description of events. He couldn’t explain certain details about the filming location or process that would have been obvious to someone actually there.
Bill Munns, a professional costume designer and special effects expert, conducted an extensive analysis of what costume technology could achieve in 1967. Munns worked in Hollywood for decades and understands costume construction intimately. He concluded that fur costume technology of 1967 was relatively simple. Physical materials were tailored in predictable ways. Fur material behaves according to basic laws of physics and motion dynamics.
Looking for evidence of a fur costume requires understanding how such costumes are designed and built, and how they move with a human inside driving the motion. There’s no mystery to these factors, Munns explained. The Patterson-Gimlin film subject doesn’t move like any costume from that period. The creature displays muscle movement beneath the fur, particularly visible in the thighs, buttocks, and back. The arm length is disproportionate to human dimensions. The shoulder width is extreme. No costume of that era could achieve these effects.
Munns catalogued the specific ways fur costumes fail to replicate living tissue. Costumes bunch at joints. They wrinkle in predictable patterns. They don’t show individual muscle groups flexing beneath the surface. The Patterson-Gimlin film shows all of these things. Fur moves across the creature’s body in ways consistent with skin attached to moving musculature, not fabric draped over a frame.
The Academic Perspective
Scientists have studied the film extensively and reach different conclusions. Anthropologist David Daegling, in his book “Bigfoot Exposed,” analyzed the film and concluded that after 36 years of study, no proof of a hoax could be found. He wrote that the question remained unresolved. Authors Donald Prothero and Daniel Loxton, in “Abominable Science,” could offer no better analysis. Their conclusion was that if an anecdotal Bigfoot sighting by a man named William Roe could somehow be proven false, then the Patterson-Gimlin film might reasonably also be deemed fake. Given that Roe’s encounter cannot be proven false, this was a subtle but tacit admission that the Patterson-Gimlin film cannot be proven false either.
Most advocates for the film being a hoax tend to rely upon anecdotal claims and suspicions that Roger Patterson was an untrustworthy man, and thus the film must be suspect. Yet no one has produced the suit. No one has replicated the film using 1967 technology. No one has explained the biomechanics in a satisfactory way.
Forensic examiner Jeff Glickman published a detailed analysis in 1998 titled “Toward a Resolution of the Bigfoot Phenomenon.” His conclusion was that the image quality and range of motion in the film provided abundant opportunity to determine if it showed a costume. But the anatomical features consistently suggested real anatomy.
Brian Regal, an associate professor of the history of science at Kean University and author of “Searching for Sasquatch: Crackpots, Eggheads, and Cryptozoology,” told Live Science that people project their own views onto the figure in the film. “You look at it and you see what you want to believe,” he said.
The film has never been definitively debunked, despite being examined by scientists, technology experts, film specialists, and Hollywood costume designers for over 50 years. Yet it also hasn’t been proven authentic. Without verifiable biological evidence or airtight filming metadata, it remains exactly what it’s always been – a question mark.
Ray Wallace’s Claim
After the Patterson-Gimlin film became famous, Ray Wallace inserted himself into the story. Wallace told Strange Magazine writer Mark Chorvinsky that he told Roger Patterson and Bob Gimlin exactly where to go during their Bluff Creek expedition in October 1967. Wallace claimed the Patterson film was a hoax and that he knew who was in the suit.
This claim has been widely questioned. Loren Coleman, a veteran Bigfoot researcher, argued that Patterson was an early Bigfoot investigator and it was natural that he sought out and interviewed older Bigfoot-event principals, which included Wallace because of the 1958 Bluff Creek track incidents. Coleman asserted that Wallace had nothing to do with Patterson’s footage in 1967.
David Daegling summarized Chorvinsky’s argument about Wallace’s involvement and concluded that Wallace “had a degree of involvement” with the Patterson-Gimlin film, giving grounds for suspicion. But Coleman has argued in an analysis of the media treatment of Wallace’s death that the international media inappropriately confused the Wallace films of the 1970s – obvious hoaxes showing people in gorilla suits eating frogs and sitting on logs – with the Patterson-Gimlin 1967 film.
Wallace claimed to have taped extensive Bigfoot film footage. Estimates varied from 6,000 to 15,000 feet of 16mm film, adding up to several hours. This footage allegedly showed Bigfoot throwing rocks, eating frogs, munching on cereal, and other activities. Wallace maintained that his films, photos and tapes were authentic. None of the alleged films have surfaced since his death in 2002. If they existed and were of the same quality as the Patterson-Gimlin film, they would be worth a fortune to his heirs.
The Statistics of Sightings
According to Live Science, there have been over 10,000 reported Bigfoot sightings in the continental United States over the last 50 years. About one-third of all claims occur in the Pacific Northwest, with the remaining reports spread throughout the rest of North America.
The Bigfoot Field Researchers Organization maintains the most comprehensive database of Bigfoot sightings. Each report is geocoded and timestamped. Reports undergo investigation for credibility before being made public. Volunteers and researchers determine whether reports are credible enough to include.
According to data collected from the BFRO’s database in 2019, Washington state has over 2,000 reported sightings – the highest of any state. California has over 1,600. Pennsylvania has over 1,300. New York and Oregon both have over 1,000. Texas has just over 800. Every state except Hawaii has reported at least one sighting. Hawaii’s absence isn’t surprising – as a remote volcanic island chain with no native land mammals, it wouldn’t be plausible for a Bigfoot species to exist there.
In Washington state specifically, the Evergreen State has seen over 700 sightings according to BFRO data. Pierce County has experienced the highest number of sightings at 83. In Oregon, Clackamas County leads with 29 credible reports, followed by Josephine County with 21. Douglas County has 18 reports. Umatilla and Lane Counties both have 17. Deschutes County has 16.
Penn State Ph.D. candidate Josh Stevens, who specializes in big data and visualizations, geoplotted every Sasquatch sighting since 1921 using BFRO data. He found distinct, sparsely populated regions with regular sightings, and densely populated areas where sightings were rare. “You would expect sightings to be the most frequent in areas where there are a lot of people,” Stevens wrote. “But a bivariate view of the data show a very different story.”
The data shows that sightings don’t correlate with population density. Los Angeles, San Francisco, and the eastern seaboard are severely underrepresented. Areas with higher sighting density appear to correspond with mountain ranges – the Pacific Northwest, California, Colorado, and the Appalachians. A logical hypothesis is that most sightings occur in mountainous, forested areas.
While many people relegate Bigfoot sightings to the 1970s and ’80s, the number of people claiming to have seen one actually increased dramatically between 2000 and 2010, spiking between 2005 and 2006 to more than twice the highest number in the late ’70s. Sightings have tapered off since then.
The Description Witnesses Provide
Bigfoot is often described as a large, muscular, and bipedal human or ape-like creature covered in black, dark brown, or dark reddish hair. Anecdotal descriptions estimate a height of roughly 6 to 9 feet, with some descriptions having creatures standing as tall as 10 to 15 feet. Common descriptions include broad shoulders, no visible neck, and long arms – features that skeptics attribute to misidentification of a bear standing upright.
Some alleged observations describe Bigfoot as more human than ape, particularly in regard to the face. In 1971, multiple people in The Dalles, Oregon, filed a police report describing an “overgrown ape.” One of the men claimed to have sighted the creature in the scope of his rifle but could not bring himself to shoot it. He told police it looked more human than animal. The sighting occurred in early June at the Pinewood Trailer Court near The Dalles. Witnesses described an 8-foot, silvery-gray Bigfoot seen on several occasions by groups of people.
This 1971 incident highlights a recurring theme in Bigfoot encounters – the human-like qualities that prevent people from pulling the trigger. Multiple hunters over the years have reported getting a creature in their sights, only to be unable to shoot because it looked too human.
Some alleged nighttime sightings have stated the creature’s eyes “glowed” yellow or red. This eyeshine is not present in humans or in most primates, suggesting either misidentification of animals that do have eyeshine, or embellishment of the original sighting.
In Fouke, Arkansas, in 1971, a family reported that a large, hair-covered creature startled a woman after reaching through a window. This alleged incident caused hysteria in the Fouke area and inspired the horror movie “The Legend of Boggy Creek” in 1972. The report was later deemed a hoax, but the movie became a cult classic and spread Bigfoot fever beyond the Pacific Northwest.
The Most Famous Attack
The most famous alleged Bigfoot attack occurred in July 1924 at a place called Ape Canyon, near Mount St. Helens, Washington. A group of five miners working at the site were besieged by what they described as a group of “ape men.”
One of the miners, a man named Fred Beck, claimed they first sighted a group of Bigfoot high above them on the edge of the canyon while working their gold claim. Beck said he shot one of the creatures with his rifle. That night, the miners spent a terrified night holed up in their cabin while the creatures bombarded the structure with rocks from the canyon rim above. The Bigfoot allegedly tried to break down the door. The miners couldn’t get a good look at the creatures through small cracks in the door and walls, and darkness obscured details.
The story was published in The Oregonian newspaper on July 16, 1924, describing a conflict between the gold prospectors and a group of “gorilla men” in a gorge near Mount St. Helens. The article made national news. The incident was cited for years in Bigfoot lore as a classic Bigfoot attack.
The details were exaggerated with each retelling. In early versions, a few dozen fist-sized rocks that rained down on the roof and walls became “giant boulders” crashing into the cabin. The number of creatures grew. The violence intensified in the retellings.
Later research found that the famous Ape Canyon Bigfoot attack was not a hoax in the traditional sense – but nor was it real Bigfoot. It was instead a combination of a prank and misperceptions. The “Bigfoot” were local YMCA youth from nearby Spirit Lake who had a long tradition of throwing stones down into the canyon from above. The kids would not have known the miners were in the canyon, nor that they were hitting a cabin in the darkness far below.
The rocks included pumice, which can be deceptively light for their size, making it easier for teenagers to throw them long distances. When the miners looked up, they would have only seen silhouettes of figures far above them against the night sky. It must have been a terrifying experience for the miners in a remote location. It’s easy to see how the Bigfoot story could have emerged from that night.
The canyon has been known as Ape Canyon ever since. Locals believe many Bigfoot in the Mount St. Helens area died during the volcano’s 1980 eruption, which is why sightings are now reported less frequently in that specific location.
Modern Property Damage
More recent incidents continue the pattern of mysterious property damage attributed to Bigfoot. In October 2012, a Pennsylvania man named John Reed claimed something vandalized his 1973 Winnebago camper. Reed was a Bigfoot enthusiast who founded a Bigfoot hunting group. He claimed he and his girlfriend saw a tall, dark, hairy figure walk past their camper window at night. According to news reports, Reed said the Bigfoot threw rocks at the mobile home’s outside light to escape discovery.
This explanation didn’t make sense to skeptics. If the Bigfoot didn’t want to be noticed, it presumably wouldn’t have walked right past the Winnebago’s window with two people inside, nor thrown rocks at the camper. The creature could simply have avoided the campsite, or kept walking into the darkness if it didn’t want to be detected.
Perhaps the strangest part of the story was that Reed, who claimed to have seen Bigfoot twice before, did not photograph the creature during this third encounter. Police suspected ordinary vandalism, possibly by pranksters or teenagers. Reed disagreed, insisting the damage pattern was unusual and not consistent with human vandals.
Wild animals attacking vehicles isn’t uncommon, especially if they smell food inside. Bears and raccoons are notoriously clever and persistent in trying to access vehicles and containers. National parks design special latching mechanisms on trash cans specifically to thwart these feral intruders. Damage to parked RVs and campers in wilderness areas happens regularly, almost always attributable to known animals.
There have been other cases where unknown creatures supposedly attacked vehicles. In 2008, a South Carolina couple claimed something vandalized their 2002 Dodge Grand Caravan, leaving mysterious bite marks and ripping out part of the fender. They attributed the damage to Bigfoot or another unknown creature. No physical evidence was recovered that could be tested.
In October 2011, Bigfoot researcher and biologist John Bindernagel visited western Siberia to examine evidence of the Yeti, the Russian version of Bigfoot. He claimed to find evidence that the creature broke trees and branches. Bindernagel told the British tabloid The Sun that twisted trees like those he observed had also been found in North America and could fit with the theory that Bigfoot makes nests.
What’s notable about all these alleged Bigfoot aggression incidents is what’s missing. Bigfoot are never credibly accused of attacking people. Almost every other animal in the world has been documented attacking humans at some point – cats, dogs, deer, moose, bears, boars, elk, cougars, birds, even fish. Not so for Bigfoot. This absence of documented attacks on humans raises suspicion among skeptics who note that a large, territorial primate should have attacked someone by now if populations truly exist in wilderness areas across North America.
When the Hoax Turns Deadly
On the evening of August 26, 2012, Randy Lee Tenley of Kalispell, Montana, walked onto U.S. Highway 93 south of Kalispell wearing a military-style ghillie suit. The ghillie suit is a type of camouflage that resembles vegetation or foliage, commonly used by military snipers and hunters. Tenley wore a full-length dark suit and stood in the right-hand lane of the highway. It was night.
A car struck him. Then a second car hit him. He was pronounced dead at the scene.
When Montana Highway Patrol interviewed Tenley’s friends to determine why he would be wearing such a suit in the highway at night, they learned of Tenley’s Bigfoot-inspired mischief. Trooper Jim Schneider told the Daily Inter Lake that Tenley was trying to make people think he was Sasquatch so people would call in a sighting.
Schneider added words that capture the absurdity and tragedy of the incident: “You can’t make it up. I haven’t seen or heard anything like this before. Obviously, his suit made it difficult for people to see him.”
The drivers who hit Tenley were not charged. They couldn’t have seen him in time to stop. Tenley’s death raised questions about whether this was the first time he’d pulled such a stunt. It seemed unlikely that he was killed during the one and only time he chose to don the suit to scare people into thinking they saw Bigfoot. How many earlier Bigfoot reports in the Kalispell area might have been Tenley in his ghillie suit?
The Ethical Debate About Shooting
Tenley’s death reignited a longstanding debate within the Bigfoot community: Would it be ethical to shoot and kill a Bigfoot? The debate splits researchers and enthusiasts into two camps.
Some argue yes, shooting a Bigfoot is justified because that’s the only way to prove the creatures exist. Once definitive proof is established through a body, they reason, funds could be made available to protect remaining Bigfoot as an endangered species. Without a body, the creatures remain unprotected and vulnerable to habitat destruction, logging, development, and other threats.
Others argue no – because Bigfoot sightings are so rare, the population must be extremely small. Killing one might drive the species to extinction. If only a few hundred or a few thousand individuals exist, losing even one could be catastrophic for genetic diversity.
But there’s a more practical concern beyond ecological ethics. Shooting at what you think is a Bigfoot could be a bad idea for a simple legal reason. You can’t know for sure if that mysterious, burly figure in your rifle sights is a real creature, a bear standing on hind legs, or a hoaxer in a costume. You could face criminal charges ranging from animal cruelty to manslaughter.
A Texas teenager shot what he believed was a Chupacabra in 2012. While charges weren’t ultimately brought against him, if the creature had turned out to be someone’s dog or a protected species, he could potentially have faced felony charges. The same logic applies to Bigfoot. What if the creature in your scope is actually a protected black bear? What if it’s a person in a costume?
In Washington state, shooting a Bigfoot is actually illegal. In 1969, a law was passed that criminalized killing a Bigfoot, making the act a felony. Upon conviction, violators face a fine of up to $10,000 or five years imprisonment. This law recognizes that even if Bigfoot doesn’t exist, people might shoot at something they think is Bigfoot – and that something might be a person or a protected animal.
Todd Standing, a Bigfoot researcher featured on Animal Planet’s “Finding Bigfoot” reality show, expressed frustration about the evidence problem. He’d filmed something large and dark on a wooded ridge in the Canadian Rockies that ducked behind a bush. The show’s experts concluded the subject probably wasn’t Bigfoot. Standing said that no video would ever be evidence, that it would never be good enough.
Standing missed the real problem. It’s not that Bigfoot video is inherently worthless. It’s that his video, like most that came before it, was of such poor quality that there was no way to determine what anyone was seeing. It could have been a person in a dark jacket, a bear, or actually a Bigfoot. The fatal flaw in Bigfoot photos and videos is almost always the image quality, not the subject matter.
Even the highest-quality photograph or video can’t be considered definitive proof of Bigfoot, the Loch Ness Monster, or any mythical creature. If the goal is to make scientists and the public take Bigfoot seriously, verified remains – hair, teeth, blood, bones, or tissue samples – would suffice. But testing of alleged Bigfoot samples has always led to disappointment.
The Scientist Who Bet His Career
In the history of serious Bigfoot research, one name towers above the others: Grover Sanders Krantz. Born on November 5, 1931, in Salt Lake City, Utah, Krantz grew up in Rockford, Illinois, and Salt Lake City. He earned a Bachelor of Science degree from the University of Utah in 1955, a Master’s degree from the University of California in 1958, and in 1971, a Ph.D. in physical anthropology from the University of Minnesota.
Krantz’s specialty as an anthropologist included all aspects of human evolution. He authored more than 60 academic articles and 10 books on human evolution. He conducted field research in Europe, China, and Java. His professional work was diverse and respected: studies of Ramapithecus, extensive research on Homo erectus including studies of phonemic speech and hunting patterns, influential papers on the emergence of humans in prehistoric Europe and the development of Indo-European languages. He was the first researcher to explain the function of the mastoid process. His work included research on Paleolithic stone tools, Neanderthal taxonomy and culture, the Quaternary extinction event, and sea level changes.
But outside of academia, Krantz became best known as the first serious researcher to devote his professional energies to the scientific study of Bigfoot, beginning in 1963. This research would define him, damage him, and eventually lead to his skeleton being displayed at the Smithsonian Institution – along with the bones of his beloved Irish Wolfhound dogs.
Krantz joined the Washington State University faculty in 1968 as a physical anthropologist. His Bigfoot research drew heavy criticism from his colleagues and accusations of “fringe science.” The work cost him research grants and promotions. It delayed his tenure at the university. His articles on Bigfoot were rejected by peer-reviewed scholarly journals. A poll conducted in the early 1980s found that the majority of professional anthropologists in North America felt there was no acceptable evidence for the existence of Sasquatch and little justification for any funded research into it.
Because mainstream scientists ignored his cryptozoology research despite his academic credentials, Krantz published books aimed at casual readers and frequently appeared in television documentaries, including “Arthur C. Clarke’s Mysterious World,” “In Search of…,” and “Sasquatch: Legend Meets Science.”
Krantz’s studies led him to believe that Sasquatch was an actual creature. He theorized that sightings were due to small pockets of surviving Gigantopithecines – a genus of extinct giant apes. He proposed that the progenitor population had migrated across the Bering land bridge during the Ice Age, the same route later used by humans to enter North America.
In January 1985, Krantz tried to formally name Bigfoot by presenting a paper at the meeting of the International Society of Cryptozoology held in Sussex, England. He assigned it the binomen Gigantopithecus blacki. This was not permitted by the International Commission on Zoological Nomenclature because G. blacki was already an existing taxon and because the creature lacked a holotype – a physical specimen that serves as the basis for description of a species. Krantz argued that his plaster casts were suitable holotypes, but the argument was rejected.
Krantz investigated sound recordings from the early 1970s dubbed the “Sierra Sounds,” claimed to be vocalizations of Bigfoot recorded in the Sierra Nevada mountains. He listened to at least 10 tapes and found “no compelling reason to believe that any of them are what the recorders claimed them to be.”
He also discussed alleged Bigfoot hair, feces, skin scrapings, and blood in his book “Big Footprints: A Scientific Inquiry Into the Reality of Sasquatch,” published in 1992. Krantz wrote: “The usual fate of these items is that they either receive no scientific study, or else the documentation of that study is either lost or unobtainable. In most cases where competent analyses have been made, the material turned out to be bogus or else no determination could be made.”
Shortly before his death in 2002, Krantz examined the Skookum cast – an impression in mud claimed to show where a Bigfoot had sat or laid down. He did not publicly endorse its authenticity, saying in an interview with Outside magazine: “I don’t know what it is. I’m baffled. Elk. Sasquatch. That’s the choice.”
Jeff Kline, a former student, said Krantz was “the quintessential scientist.” The Sasquatch research always seemed to follow him around, Kline noted, but Krantz wasn’t doing it as “this crunchy granola who had a prism hanging from his rearview mirror. For him, the world was a hypothesis. He wasn’t politically correct. He wanted to know why things were the way they are.”
In 1996, Krantz argued against the Indian repatriation of the 9,000-year-old Kennewick Man skeleton in favor of its scientific study. He theorized that Kennewick Man might have a non-Native American origin. This controversial position added to his reputation as someone willing to pursue unpopular scientific questions.
Although Krantz eventually became a tenured professor, the consensus among those who knew him was that his Sasquatch pursuits seriously harmed his career. He could have risen higher in academia. He could have received more research funding. He could have published in prestigious journals. Instead, he became known outside his field as “the Bigfoot guy.”
John Green, a retired journalist and field researcher, met Krantz while investigating Sasquatch reports in 1970. Green, along with René Dahinden, Peter Byrne, and Krantz, became facetiously dubbed “The Four Horsemen of Sasquatchery.” All four have since passed away.
Green said Krantz “was a very nice fellow. He was attacked by all sorts of people, but he never attacked anyone himself.” Krantz remained frustrated that most academic peers wouldn’t give his work enough serious consideration even to refute it. He brought forensic techniques and rigorous methodology to a subject often given blind credence by fanatics or immediate dismissal by scientists.
After more than three decades at Washington State University, Krantz retired from full-time work in 1998 and moved to Port Townsend with his wife, Diane Horton. The two had met through their mutual interest in Bigfoot about 20 years earlier. Krantz died at age 70 from pancreatic cancer at his home in Port Angeles, Washington, on February 14, 2002.
In keeping with his commitment to science, Krantz’s last act was to donate his body for study. His skeleton was sent to the University of Tennessee’s Anthropology Research Facility – the famous “body farm” where scientists study human decay rates to aid in forensic investigations. After processing, his bones were sent to the Smithsonian Institution’s National Museum of Natural History.
Krantz had made a specific request: he wanted his skeleton displayed at the Smithsonian along with the bones of his four favorite Irish Wolfhounds – Clyde, Icky, Leica, and Yahoo. In 2009, his wish was granted. Krantz’s skeleton was painstakingly articulated and, along with the skeleton of his dog Clyde, included in the Smithsonian’s “Written in Bone: Forensic Files of the 17th Century Chesapeake” exhibition.
The display shows Krantz’s skeleton holding Clyde’s articulated bones in what looks like a warm embrace. The skeletons serve as both a testament to a man’s fondness for his pet and Krantz’s everlasting commitment to anthropology. His bones have also been used to teach forensics and advanced osteology to George Washington University students.
The description next to the display case identifies Krantz as an anthropologist who loved his dogs. It doesn’t prominently mention Bigfoot. But in the Bigfoot research community, Krantz is remembered as a pioneer – the first credentialed scientist willing to risk everything to investigate the creature seriously.
After Krantz’s death, an editor at NPR named Laura Krantz saw his obituary in the Washington Post and realized Grover was a relative – her grandfather’s cousin. She later created a podcast called “Wild Thing” documenting his life and Bigfoot research.
The Evidence That Keeps Failing
Physical evidence for Bigfoot remains frustratingly elusive. Every major claim of Bigfoot DNA, hair samples, or body parts has been debunked or proven inconclusive.
Hair samples attributed to Bigfoot have been analyzed multiple times. In 2014, a team of researchers led by geneticist Bryan Sykes from the University of Oxford conducted genetic analysis on 36 hair samples claimed to belong to Bigfoot or the Yeti. Almost all of the hairs turned out to be from known animals such as cows, raccoons, deer, and humans. However, two of the samples closely matched an extinct Paleolithic polar bear. These samples may have come from an unknown bear species or a hybrid of modern bears, but they were from a bear, not a primate.
In 2023, a DNA analysis of a supposed “Yeti” hair documented on a BBC program turned out to come from a horse.
A famous “Yeti finger” supposedly collected from the Himalayas in the 1950s and kept at the Royal College of Surgeons in London flunked DNA testing. The finger was either bought or stolen from the Pangboche Buddhist monastery, depending on which story you believe. It was taken by Bigfoot researcher Peter Byrne and smuggled out of the country by Hollywood actor Jimmy Stewart, who allegedly hid it in his wife’s lingerie during the trip.
The monstrous finger ended up in the possession of Dr. William Osman Hill, who had searched for the Yeti in the 1950s on behalf of Texas millionaire Tom Slick. Hill later bequeathed the finger to the Royal College of Surgeons. The finger generated controversy for decades. When researchers at the Edinburgh Zoo finally performed DNA analysis on it, the results were definitive: human. Perhaps from the corpse of a monk. But definitely human, not Yeti.
Rob Ogden of the Royal Zoological Society of Scotland explained: “We had to stitch it together. We had several fragments that we put into one big sequence, and then we matched that against the database and we found human DNA.” The researchers said the result “wasn’t too surprising, but obviously slightly disappointing.”
It wasn’t the first Yeti claim debunked by science. In 1960, Sir Edmund Hillary, the first man to scale Mount Everest, searched for evidence of the Yeti and found a “scalp.” Scientists later determined it had been fashioned from the skin of a serow, a Himalayan animal similar to a goat.
In 2011, a team of researchers in Russia claimed to have found “indisputable proof” of the Yeti in western Siberia’s Kemerovo region. During an expedition to the Azasskaya cave, conference participants claimed they gathered evidence that the Shoria mountains were inhabited by the Yeti. They found gray hairs in a clump of moss in the cave, footprints, and what they claimed was the creature’s bed, along with various markers the Yeti supposedly uses to denote territory.
If true, it would have been an amazing find. Yet it’s not clear why, if the researchers were certain the cave had been recently and actively used by the Yeti, they didn’t simply set up cameras to record the creatures or wait for the animals to return to the cave, where they could be trapped and captured alive.
Some Russians viewed the announcement with considerable suspicion and skepticism, suggesting the sudden discovery was a publicity stunt to increase tourism in the impoverished coal-mining region. It seems to have worked. Hundreds of people came to tour the cave. Former Russian heavyweight boxer Nikolai Valuyev toured the cave “searching” for the Yeti, generating great media attention. The event seemed more of a media circus than a scientific expedition. The evidence quickly faded away, leaving proof of the creature’s existence in question.
If populations of Yetis or Bigfoot really exist, they have somehow managed to avoid leaving any physical traces of their presence that can be verified: no bodies, bones, teeth, hair samples that test as unknown primate, scat, or anything else. The absence of evidence is not conclusive proof that they don’t exist, of course. But the absence of any verifiable physical evidence after decades of searching and thousands of alleged sightings is suspicious.
The study of genetics provides another reason to doubt Bigfoot‘s existence. A single creature can’t breed and maintain a population, much less a species. For Bigfoot to be viable, it would need to have populations large enough to avoid inbreeding and low genetic diversity, or else face extinction. For the geographic range described by sightings – from California to Pennsylvania, from Washington to Florida – multiple stable populations would be required.
The existence of multiple populations of 800-pound primates increases the chances that one would be killed by a hunter, hit by a motorist on a highway, or found dead by a hiker or farmer at some point. Yet no bodies have ever been found. People do occasionally claim to find bones or other large body parts. In 2013, a man in Utah discovered what he thought was a fossilized Bigfoot skull. A paleontologist confirmed that the “skull” was simply an oddly weathered rock.
When Hoaxers Come Clean
Bigfoot hoaxers have further complicated the problem of sorting fact from fiction. Dozens of people have admitted or been found out to have faked Bigfoot prints, photographs, and nearly every other type of Bigfoot evidence.
Beyond Ray Wallace, whose complicated legacy has been discussed, there are numerous other admitted hoaxers. Rant Mullens, who carved the wooden feet for Wallace, admitted in 1982 that he’d been carving giant feet out of wood and using them to make fake tracks with a friend since the 1920s in Toledo, Washington. This built on the legend of ape-like men decades before Wallace’s footprints made Bigfoot a phenomenon.
In 2008, two men from Georgia claimed to have a complete, frozen Bigfoot specimen they’d found on a hike. They held a press conference and presented their evidence. Their Bigfoot turned out to be a gorilla costume stuffed with animal remains and placed in a freezer. Reuters reported on the hoax after it was exposed.
With the rise of high-quality cameras in smartphones, photographs of people, cars, mountains, flowers, sunsets, and deer have gotten sharper and clearer. Bigfoot is a notable exception. The logical explanation for this discrepancy is that the creatures don’t exist, and photographs of them are merely hoaxes or misidentifications.
Eyewitness reports are the most common evidence put forward for the existence of Bigfoot. Unfortunately, these are based on human memories, and memories are not reliable. In crime cases, witnesses can be influenced by their emotions and may miss or distort important details. People often overestimate their ability to remember things accurately. When it comes to cryptids like Bigfoot, the human brain is capable of making up explanations for events it can’t immediately interpret. Many people simply want to believe these creatures exist.
The FBI Gets Involved
In the mid-1970s, Peter Byrne – one of the “Four Horsemen of Sasquatchery” and a prominent Bigfoot researcher – approached the FBI with a request. Byrne, who operated the Bigfoot Information Center and Exhibition in The Dalles, Oregon, wanted the FBI to analyze hair samples that might be from a Bigfoot.
Byrne wrote a letter dated August 1976 asking: “Will you kindly, to set the record straight, once and for all, inform us if the FBI has examined hair which might be that of a Bigfoot; when this took place, if it did take place; what the results of the analysis were.”
The FBI agreed to examine the samples. Assistant FBI Director Jay Cochran wrote in a December 1976 letter to Byrne: “The hairs which you recently delivered to the FBI Laboratory on behalf of The Bigfoot Information Center and Exhibition have been examined by transmitted and incident light microscopy. It was concluded as a result of these examinations that the hairs are of a deer family origin.”
The agency closed the investigation in 1977. The FBI made 22 documents from its records archive public in 2019, revealing its investigation into the possible existence of Bigfoot. Byrne, who was 93 years old when the documents were released, told CNBC he still had no doubt that Bigfoot was real. “I was in it full-time, seven days a week,” he said, referring to his earlier Bigfoot hunts. “Right now, I’m still active…”
The FBI investigation highlighted a consistent problem: when alleged Bigfoot samples are subject to vigorous scientific analysis, they typically turn out to be from ordinary sources. No sample has ever tested as coming from an unknown primate species.
Cultural Evolution From Monster to Icon
Cultural attitudes toward Bigfoot have shifted dramatically since 1958. Once Bigfoot’s story went public, the creature became a character in men’s adventure magazines and cheap paperback novels. In these early stories, Bigfoot was definitively male – a primal, dangerous creature from the past lurking in the modern wilderness, threatening civilization.
By the 1970s, pseudo-documentaries investigated Bigfoot‘s existence with titles like “The Mysterious Monsters” and “Bigfoot: Man or Beast?” Films portrayed the creature as a sexual predator or violent threat. The debate over the legitimacy of Bigfoot sightings reached a peak in the 1970s. Bigfoot has been regarded as the first widely popularized example of pseudoscience in American culture.
The 1980s brought a transformation. Bigfoot became “associated with environmentalism and a symbol of the wilderness that we need to preserve,” according to Joshua Blu Buhs, author of “Bigfoot: The Life and Times of a Legend.” The 1987 movie “Harry and the Hendersons” cemented this new image, portraying Bigfoot as a friendly, misunderstood creature needing protection from John Lithgow’s family. The film was a commercial success and introduced a generation of children to a gentler version of Bigfoot.
Today, Bigfoot is a cultural icon. The creature appears in commercials, cartoons, and reality shows. Some commentators argue that this trivializes serious scientific research into Sasquatch. Others propose that society’s fascination with Bigfoot stems from human interest in mystery, the paranormal, and loneliness.
Journalist John Keilman of the Chicago Tribune wrote in 2022: “As UFOs have gained newfound respect, becoming the subject of a Pentagon investigative panel, the alleged Bigfoot sighting is a reminder that other paranormal phenomena are still out there, entrancing true believers and amusing skeptics.”
Bigfoot and its likeness has become symbolic with the Pacific Northwest and its culture, including the Cascadia movement. Two National Basketball Association teams located in the Pacific Northwest have used Bigfoot as a mascot. Squatch was the mascot of the now-defunct Seattle SuperSonics from 1993 until 2008. Douglas Fur serves as mascot for the Portland Trail Blazers. Legend the Bigfoot was selected as the official mascot for the 2022 World Athletics Championships held in Eugene, Oregon.
In 2024, the United Soccer League announced the Bigfoot Football Club based in Maple Valley, Washington, will begin competing in 2025. In January 2021, Oklahoma lawmaker Justin Humphrey proposed creating a Bigfoot hunting season that would coincide with an annual Bigfoot festival in Honobia, Oklahoma, to bring more tourists to the area. Oklahoma tourism officials later announced a $2.1 million bounty for the capture of a live Bigfoot.
Why has the Bigfoot legend persisted for decades? Buhs suggests it’s because Bigfoot has taken on its own momentum as a media icon. “It takes on its own momentum because it is a media icon,” Buhs explained. Just as no one really needs to explain that characters who turn into wolves during a full moon are werewolves, no one needs to explain who a hairy man-ape walking out of the woods would be. It’s become cultural shorthand, easy to reference and universally recognized. “It’s just something that’s easy to refer to,” Buhs concluded. “That would be Bigfoot.”
The Ancient Roots
The word “Sasquatch” predates the modern Bigfoot phenomenon by decades. It derives from Sasq’ets, a word from the Halq’emeylem language used by some Salish First Nations peoples in southwestern British Columbia. It means “wild man” or “hairy man.” The term was coined in 1929 by a white teacher in British Columbia based on the Salish word.
The Sts’ailes First Nation have stories of the “Sasq’ets” going back many generations. According to anthropologist David Daegling, Indigenous legends of mysterious hair-covered creatures living in forests existed long before contemporary reports of Bigfoot. These stories differed in their details regionally and between families in the same community. They are particularly prevalent in the Pacific Northwest.
On the Tule River Indian Reservation in Central California, petroglyphs created by a tribe of Yokuts at a site called Painted Rock are alleged by some researchers to depict a group of Bigfoots called “the Family.” The largest glyph is called “Hairy Man” (also known as Mayak Datat). These petroglyphs are estimated to be between 500 and 1,000 years old.
Many Indigenous cultures across the North American continent include tales of mysterious hair-covered creatures living in forests. In the 16th century, Spanish explorers and Mexican settlers in California told tales of the “los vigilantes oscuros” – the Dark Watchers – large creatures said to stalk their camps at night.
In 1721, a Jesuit priest in what is now Mississippi reported stories about hairy creatures that lived in the forest, stole livestock, and screamed loudly.
In 1840, Reverend Elkanah Walker, a Protestant missionary, recorded stories of giants among the natives living near Spokane, Washington. These giants were said to live on and around the peaks of nearby mountains, stealing salmon from fishermen’s nets.
In 1847, Paul Kane reported stories by natives about Skoocooms, a race of cannibalistic wild men living on the peak of Mount St. Helens in southern Washington state.
As early as 1884, the British Colonist newspaper in Victoria, Canada, published an account of a “gorilla type” creature captured in the area. Other accounts followed through the 19th century, though many were decried as hoaxes. Sasquatch book author John Green compiled a list of 1,340 sightings through the 19th and 20th centuries.
The stories are similar in general descriptions but details differ among various family accounts concerning the creatures’ diet and activities. Some regional versions tell of more threatening creatures. The Stiyaha or Kwi-Kwiyai were described as a nocturnal race, and children were warned against saying the names lest the “monsters” come and carry them off to be killed.
The Iroquois tell of an aggressive, hair-covered giant with rock-hard skin known as the Ot ne yar heh or “Stone Giant,” more commonly referred to as the Genoskwa.
The Alutiiq of the Kenai Peninsula in Alaska tell of the Nantinaq, a Bigfoot-like creature. This folklore was featured in the Discovery+ television series “Alaskan Killer Bigfoot,” which claims the Nantinaq was responsible for the population decrease of Portlock in the 1940s.
This consistent pattern of indigenous stories across centuries and continents suggests either a cultural archetype that appears in many societies, or a consistent misidentification of known animals, or – as believers argue – a real creature that has coexisted with humans for millennia.
The Terror of the Real
Accounts from people who claim close encounters with Bigfoot share a common element: overwhelming fear that changes lives. These aren’t the reactions of people who saw something mildly interesting or unusual. They describe trauma, terror so intense it fundamentally alters their relationship with the wilderness forever.
Hunters who’ve spent decades in the forest without fear suddenly refuse to go back. Grown men break down crying when they try to describe what they saw. Some witnesses move away from areas where they had encounters. The psychological impact is real and lasting, regardless of what actually caused it.
Karen Hopper Usher, writing for Cadillac News, documented Bigfoot sightings in Michigan. One witness described being watched from the tree line, feeling eyes on him that he couldn’t initially identify. When he finally saw the source – something large and humanoid that shouldn’t exist – the fear was primal and immediate. The witness, an experienced outdoorsman, said he’d never felt anything like it.
John Zada, writing for Lapham’s Quarterly, interviewed witnesses in British Columbia who insisted they hadn’t seen a bear. They knew what bears looked like. They knew how bears moved. They’d encountered bears many times in the wilderness. What they encountered this time was something different – bipedal, massive, moving with purpose and intelligence through terrain that would challenge a human.
The consistency of these emotional responses suggests something significant is happening, even if the creature itself remains unproven. People are encountering something in the wilderness that triggers deep, instinctive fear. Whether that something is an unknown primate, a misidentified known animal, or mass psychology and expectation playing tricks is the question that remains unanswered.
What’s certain is this: for people who believe they’ve seen Bigfoot, the experience isn’t fun or exciting or an interesting story to tell at parties. It’s terrifying. The fascination with Bigfoot that exists in popular culture – the jokes, the commercials, the friendly mascots – all of it disappears instantly when you’re standing in the forest, alone, face-to-face with something that shouldn’t exist but somehow does. Or seems to.
The experience changes people. They stop going to places they once loved. They can’t explain adequately what they saw because the words feel insufficient. They know how it sounds when they try to tell others. They’re aware of the skepticism, the jokes, the dismissal. Many choose not to report their encounters at all.
Those who do report often do so years later, after the trauma has faded enough that they can speak about it without breaking down. Even then, they struggle. How do you explain encountering something that shouldn’t exist? How do you convince others that you’re not mistaken, not lying, not crazy?
The Ongoing Search
The creature that emerged from Ray Wallace’s prank in 1958 – or from whatever actually walked around Jerry Crew’s bulldozer that August morning – has become something far larger than anyone anticipated. Bigfoot conventions draw thousands of attendees. Documentaries and reality shows dedicate hundreds of hours to the search. The Bigfoot Field Researchers Organization maintains databases of thousands of reported sightings and operates an all-volunteer network of researchers, archivists, and investigators across the United States and Canada.
Multiple organizations pursue Bigfoot research with varying degrees of scientific rigor. Some employ trail cameras, audio recording equipment, and systematic search patterns. Others rely on eyewitness testimony and anecdotal evidence. The quality of research varies dramatically.
Yet after more than 60 years of searches, with countless cameras, trail cams, drones, and expeditions combing the Pacific Northwest and beyond, definitive proof remains absent. The Patterson-Gimlin film from 1967 is still the best visual evidence available – and it’s still controversial, still debated, still unresolved after more than 50 years of analysis.
Thermal imaging hasn’t found Bigfoot. DNA analysis of alleged samples consistently reveals known animals. No body has ever been recovered, despite thousands of people hunting for decades in areas where sightings concentrate. No bones. No teeth. No verifiable tissue samples. No definitive photographs taken with modern equipment that can capture detailed images of other wildlife from significant distances.
The absence grows more conspicuous with each passing year. As technology improves – as cameras get better, as genetic analysis becomes more sophisticated, as satellite imagery covers every inch of wilderness – the continued absence of evidence becomes harder to explain if the creatures actually exist.
Skeptics point to this absence as definitive proof that Bigfoot doesn’t exist. If populations of 800-pound primates roamed North American forests, we’d have found one by now. We’d have roadkill. We’d have trail cam footage that’s indisputably clear. We’d have bones eroding out of riverbanks. We’d have something.
Believers counter that the wilderness is vast. Bigfoot could be highly intelligent, avoiding humans deliberately. The population might be very small, making encounters rare. Corpses could decompose quickly in the forest, with bones scattered by scavengers before anyone finds them. The creatures might be primarily nocturnal, or live in remote areas where few people venture.
Both arguments have merit. Both seem to have fatal flaws.
The Question That Remains
Bigfoot exists in that strange space between myth and possibility, between cultural icon and potential reality. The question isn’t simply whether Bigfoot is real. The question is whether we’ll ever know for certain.
If Bigfoot doesn’t exist, then thousands of people over decades have either misidentified known animals, created elaborate hoaxes, experienced shared delusions, or some combination of these factors. The consistency of descriptions across time and geography becomes a fascinating study in human psychology and culture rather than zoology.
If Bigfoot does exist, then a large primate has managed to avoid definitive documentation despite living in one of the most heavily trafficked wilderness areas in the developed world. It has left no verifiable physical traces that can withstand scientific scrutiny. It has developed strategies for avoiding modern detection methods. It exists in populations too small to leave consistent evidence but large enough to maintain genetic viability across a vast geographic range.
Both scenarios strain credulity. Both require accepting something that seems unlikely.
Perhaps that’s the real fascination of Bigfoot – not the creature itself, but the questions it forces us to ask. How well do we actually know the world around us? How much wilderness truly remains unexplored? What are the limits of human perception and memory? When does skepticism become closed-mindedness? When does belief become delusion?
Bigfoot remains, as it has always been, a mystery. Not the mystery of whether a large primate roams North American forests – that can be answered definitively with a body. The deeper mystery is why the legend persists, why people continue searching, why encounters continue being reported despite decades of failure to produce definitive proof.
The legend began with footprints in the dirt at a construction site. It continues with footprints in the dirt throughout the continent. Whether those footprints lead to discovery or disappointment, whether they represent an unknown species or an enduring cultural phenomenon, whether they’ll ever be resolved or remain forever mysterious – that question lingers in the wilderness, waiting.
References
- How The Bigfoot Legend Began – History.com
- Is Bigfoot real? Everything you need to know about the Sasquatch – LiveScience
- Patterson-Gimlin Film – Wikipedia
- Raymond L. Wallace – Wikipedia
- The Hoax That Led to the Word ‘Bigfoot’ – Mental Floss
- Bigfoot Hoaxer Killed in Accident – LiveScience
- If You Spot Bigfoot, Should You Shoot Him? – LiveScience
- Bigfoot Was Watching You – Cadillac News
- That Was No Bear – Lapham’s Quarterly
- Grover Krantz – Wikipedia
- The Scientist Grover Krantz Risked It All Chasing Bigfoot – Smithsonian Magazine
- Bigfoot – Wikipedia
- History of Sasquatch in Washington – The Spokesman-Review
- Unraveling the Mystery: Bigfoot Sightings in Oregon – That Oregon Life
- Using big data to search for Bigfoot – CNBC
- FBI unveils documents related to 1970s Bigfoot investigation – ABC News
- Bigfoot feat: Remarkable hoax looms large in Grant County family’s history – Blue Mountain Eagle
- The True Legend of Toledo’s Bigfoot – Lewis County Tribune
- Lovable trickster created a monster with Bigfoot hoax – The Seattle Times
NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.
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